2012騫磋€冪爺鑻辮闃呰鐞嗚В綺捐綃囷紙鍏級_璺ㄨ€冪綉

銆€銆€TEXT TWO

銆€銆€The haunting paintings of Helene Schjerfbeck, on show in the final leg of a travelling tour that has already attracted thousands of visitors in Hamburg and The Hague, may come as a surprise to many. Few outside the Nordic world would recognise the work of this Finnish artist who died in 1946. More people should. The 120 works have at their core 20 self-portraits, half the number she painted in all. The first, dated 1880, is of a wide-eyed teenager eager to absorb everything. The last is a sighting of the artist's ghost-to-be; Schjerfbeck died the year after it was made. Together this series is among the most moving and accomplished autobiographies-in-paint.

銆€銆€Precociously gifted, Schjerfbeck was 11 when she entered the Finnish Art Society's drawing school. 鈥淭he Wounded Warrior in the Snow鈥? a history painting, was bought by a private collector and won her a state travel grant when she was 17. Schjerfbeck studied in Paris, went on to Pont-Aven, Brittany, where she painted for a year, then to Tuscany, Cornwall and St Petersburg. During her 1887 visit to St Ives, Cornwall, Schjerfbeck painted 鈥淭he Convalescent鈥? A child wrapped in a blanket sits propped up in a large wicker chair, toying with a sprig. The picture won a bronze medal at the 1889 Paris World Fair and was bought by the Finnish Art Society. To a modern eye it seems almost sentimental and is redeemed only by the somewhat stunned, melancholy expression on the child's face, which may have been inspired by Schjerfbeck's early experiences. At four, she fell down a flight of steps and never fully recovered.

銆€銆€In 1890, Schjerfbeck settled in Finland. Teaching exhausted her, she did not like the work of other local painters, and she was further isolated when she took on the care of her mother (who lived until 1923). 鈥淚f I allow myself the freedom to live a secluded life鈥? she wrote, 鈥渢hen it is because it has to be that way.鈥?In 1902, Schjerfbeck and her mother settled in the small, industrial town of Hyvinkaa, 50 kilometres north of Helsinki. Isolation had one desired effect for it was there that Schjerfbeck became a modern painter. She produced still lives and landscapes but above all moody yet incisive portraits of her mother, local school girls, women workers in town (profiles of a pensive, aristocratic looking seamstress dressed in black stand out). And of course she painted herself. Comparisons have been made with James McNeill Whistler and Edvard Munch. But from 1905, her pictures became pure Schjerfbeck.

銆€銆€鈥淚 have always searched for the dense depths of the soul, that have not yet discovered themselves鈥? she wrote, 鈥渨here everything is still unconscious鈥攖here one can make the greatest discoveries.鈥?She experimented with different kinds of underpainting, scraped and rubbed, made bright rosy red spots; doing whatever had to be done to capture the subconscious鈥攈er own and that of her models. In 1913, Schjerfbeck was rediscovered by an art dealer and journalist, Gosta Stenman. Once again she was a success. Retrospectives, touring exhibitions and a biography followed, yet Schjerfbeck remained little known outside Scandinavia. That may have had something to do with her indifference to her renown. 鈥淚 am nothing, absolutely nothing鈥? she wrote. 鈥淎ll I want to do is paint鈥? Schjerfbeck was possessed of a unique vision, and it is time the world recognised that.

銆€銆€1. Schjerfbeck鈥檚 paintings may come as a surprise to many because_____

銆€銆€[A] her paintings are rarely known outside the Nordic world.

銆€銆€[B] her paintings have never been on show out of the Nordic world

銆€銆€[C] her paintings have the power to haunt people whoever have seen them.

銆€銆€[D] her paintings focus on supernatural elements such as ghosts.

銆€銆€2. Which of the following is TRUE according to the passage?

銆€銆€[A] 鈥淭he Convalescent鈥?is in fact a portrait of Schjerfbeck in her childhood.

銆€銆€[B] 鈥淭he Convalescent鈥?is a reflection of Schejerfbeck鈥檚 sentimental childhood.

銆€銆€[C] 鈥淭he Convalescent鈥?is made as a result of an accident in Schejerfbeck鈥檚 childhood.

銆€銆€[D] 鈥淭he Convalescent鈥?is featured by the child鈥檚 stunned, melancholy expression.

銆€銆€3.Schejerbeck chose to live a secluded life mainly because of ____

銆€銆€[A] she was exhausted by her teaching job.

銆€銆€[B] her personality prefers this kind of style.

銆€銆€[C] she could not appreciate the work of the other local painters.

銆€銆€[D] her mother鈥檚 health condition required her to adopt such a life style.

銆€銆€4.Schjerfbeck remained little known outside the Nordic world probably because_____

銆€銆€[A] she did not make efforts to publicize her works.

銆€銆€[B] she knew that her works would gain worldwide recognition one day.

銆€銆€[C] she only cared about her painting instead of personal fame.

銆€銆€[D] the last thing she was interested in was to have people disturb her.

銆€銆€5. We can infer from the passage that the most outstanding characteristics of Schjerfbeck鈥檚 paintings is_____

銆€銆€[A] her vivid characterization of common people.

銆€銆€[B] her capture of the characters鈥?soul.

銆€銆€[C] the melancholy expression of the characters.

銆€銆€[D] her unconscious sense of some mysterious elements.

銆€銆€綃囩珷鍓栨瀽錛?/p>

銆€銆€榪欑瘒鏂囩珷浠嬬粛浜嗙敾瀹禨chejerfbeck鐨勫垱浣滅粡鍘嗐€傜涓€孌靛厛鐢辯敾灞曞紩鍑烘湰鏂囩殑涓諱漢鍏琒chejerfbeck鏉?絎簩孌佃榪癝chejerfbeck鏃╂湡鐨勫垱浣滅粡鍘嗗拰鎴愮嘩;絎笁孌佃榪癝chejerfbeck鍒涗綔濡備綍鎴愮啛鐨?絎洓孌佃榪癝chejerfbeck鍒涗綔鐨勪綋浼氬拰鐗圭偣銆?/p>

銆€銆€璇嶆眹娉ㄩ噴錛?/p>

銆€銆€haunting adj涓嶆槗蹇樻€€鐨勶紝甯告誕鐜板湪蹇冨ご鐨?leg n. 鏈€鍚庝竴紼?/p>

銆€銆€precociously adv. 榪囨棭鍦?convalescent n.鎭㈠鏈熺梾浜? adj. 鎭㈠鏈熺殑;娓愭剤鐨?/p>

銆€銆€redeem v. 寮ヨˉ錛岃ˉ鏁?sprig n. 妞嶇墿鐨勫皬鏋?/p>

銆€銆€incisive adj. 灝栧埢鐨?moody adj. 鍠滄€掓棤甯哥殑, 蹇ф?zhèn)?/p>

銆€銆€pensive adj. 娌夋€濈殑 seamstress n. 濂寵緙?/p>

銆€銆€闅懼彞紿佺牬:

銆€銆€(1) The haunting paintings of Helene Schjerfbeck, on show in the final leg of a travelling tour that has already attracted thousands of visitors in Hamburg and The Hague, may come as a surprise to many.

銆€銆€[涓諱綋鍙ュ紡] The haunting paintings may come as a surprise to many.

銆€銆€[緇撴瀯鍒嗘瀽] 榪欐槸涓€涓畝鍗曞彞錛屼富璇湁涓€涓瘮杈冨鏉傜殑浠嬭瘝鐭浣滃畾璇璷n show鈥︼紝鍦ㄨ繖涓粙璇嶇煭璇腑錛屽厖褰撶姸璇殑浠嬭瘝鐭涓粙璇嶇殑瀹捐甯︽湁浠hat寮曞鐨勫畾璇粠鍙ャ€?/p>

銆€銆€[鍙ュ瓙璇戞枃] Helene Schjerfbeck閭ｄ簺璁╀漢涓嶆槗蹇樻€€鐨勭敾鍦ㄨ繖嬈″貳灞曟渶鍚庣殑灞曞嚭灝嗕細緇欎漢甯︽潵璁稿鎯婂枩錛岃€屽叾瀹炶繖嬈″貳灞曞凡緇忓惛寮曚簡姹夊牎鍜屾搗鐗欐垚鍗冧笂涓囩殑娓稿銆?/p>

銆€銆€(2) To a modern eye it seems almost sentimental and is redeemed only by the somewhat stunned, melancholy expression on the child's face, which may have been inspired by Schjerfbeck's early experiences.

銆€銆€[涓諱綋鍙ュ紡] It seems almost sentimental and is redeemed only by 鈥?/p>

銆€銆€[緇撴瀯鍒嗘瀽] 榪欐槸涓€涓茍鍒楀彞錛岀浜屼釜鍒嗗彞鐨勭姸璇瘮杈冨鏉傦紝浠嬭瘝鐭鐨勫璇璭xpression甯︽湁涓€涓敱which寮曞鐨勯潪闄愬畾鎬у畾璇粠鍙ャ€?/p>

銆€銆€[鍙ュ瓙璇戞枃] 鍦ㄧ幇浠ｄ漢鐪嬫潵榪欏箙鐢諱豢浣?jīng)鏄劅浼ょ殑锛屽彧鏈夊瀛愭湁鐐瑰彂鍛嗐€佸咖閮佺殑琛ㄦ儏綆楁槸涓€鐐圭紦鍜屻€傝繖鍙兘鏄疭chjerfbeck灝忔椂鍊欑殑緇忓巻瑙﹀彂鑰屽垱浣滅殑銆?/p>

銆€銆€棰樼洰鍒嗘瀽錛?/p>

銆€銆€1. Schjerfbeck鈥檚 paintings may come as a surprise to many because_____1.璁稿浜虹湅鍒?Schjerfbeck鐨勪綔鍝侀兘浼氬ぇ鍚冧竴鎯婂洜涓篲____

銆€銆€[A] her paintings are rarely known outside the Nordic world.[A] 鏃ヨ€蟲浖涓栫晫涔嬪寰堝皯鏈変漢鐭ラ亾濂圭殑浣滃搧銆?/p>

銆€銆€[B] her paintings have never been on show out of the Nordic world.[B]濂圭殑浣滃搧浠庢病鍦ㄦ棩鑰蟲浖涓栫晫涔嬪鐨勫湴鏂瑰睍瑙堣繃銆?/p>

銆€銆€[C] her paintings have the power to haunt people whoever have seen them.[C] 濂圭殑浣滃搧緇欎漢鏉ュ甫鎸ヤ箣涓嶅幓鐨勫嵃璞°€?/p>

銆€銆€[D] her paintings focus on supernatural elements such as ghosts.[D]濂圭殑浣滃搧娉ㄩ噸涓€浜涜秴鑷劧鐨勫洜绱狅紝璇稿楝肩絳夈€?/p>

銆€銆€[絳旀]A

銆€銆€[闅懼害緋繪暟] 鈽嗏槅

銆€銆€[鍒嗘瀽] 鎺ㄧ悊棰樸€傛枃绔犵涓€孌墊彁鍒幫紝Schejerfbeck浣滃搧宸″洖灞曞湪寰峰浗鍜屾搗鐗欏惛寮曚簡濂藉浜猴紝澶ч儴鍒嗕漢鐪嬪埌濂圭殑浣滃搧閮戒細鍚冩儕錛岀揣鎺ョ潃灝辮鏃ヨ€蟲浖涓栫晫涔嬪寰堝皯鏈変漢瑙佽繃濂圭殑浣滃搧錛屼絾鏄ス鐨勪綔鍝佺悊搴斿彈鍒版洿澶氫漢鐨勮璧忋€傚彲浠ユ帹嫻嬶紝濂圭殑浣滃搧鏄瘮杈冧紭縐€鐨勪綔鍝侊紝浣嗗洜涓哄ぇ澶氭暟浜轟粠娌¤榪囷紝絎竴嬈＄湅鍒頒細鎰熻闇囨儕銆傚洜姝わ紝涓昏鍘熷洜鏄棩鑰蟲浖涓栫晫涔嬪寰堝皯鏈変漢鐭ラ亾濂圭殑浣滃搧銆侭閫夐」鏄劇劧涓庡師鏂囦笉絎︼紝鍥犱負濂圭殑浣滃搧鍦ㄦ棩鑰蟲浖涔嬪鐨勫湴鍖轟篃灞曠ず榪囥€侰鍜孌鍙槸鐗囬潰姒傛嫭浜嗗ス浣滃搧鐨勪竴浜涚壒鐐癸紝騫朵笉絎﹀悎棰樻剰銆?/p>

銆€銆€2. Which of the following is TRUE according to the passage?2.鏍規(guī)嵁鏂囩珷錛屼笅鍒楀摢涓€涓榪版槸姝ｇ‘鐨?

銆€銆€[A] 鈥淭he Convalescent鈥?is in fact a portrait of Schjerfbeck in her childhood.[A] 鈥滄鍦ㄥ悍澶嶇殑浜衡€濆疄闄呬笂鏄疭chjerfbeck鎻忚堪鑷繁鍎跨鏃舵湡鐨勪竴騫呰嚜鐢誨儚銆?/p>

銆€銆€[B] 鈥淭he Convalescent鈥?is a reflection of Schejerfbeck鈥檚 sentimental childhood.[B] 鈥滄鍦ㄥ悍澶嶇殑浜衡€濆弽搴斾簡Schjerfbeck鎰熶激鐨勫効绔ユ椂浠ｃ€?/p>

銆€銆€[C] 鈥淭he Convalescent鈥?is made as a result of an accident in Schejerfbeck鈥檚 childhood.[C] 鈥滄鍦ㄥ悍澶嶇殑浜衡€濇槸鍥燬chjerfbeck鍎跨鏃舵湡鍙戠敓鐨勪竴璧鋒剰澶栨墠鍒涗綔鐨勩€?/p>

銆€銆€[D] 鈥淭he Convalescent鈥?is featured by the child鈥檚 stunned, melancholy expression.[D] 鈥滄鍦ㄥ悍澶嶇殑浜衡€濅富瑕佺獊鍑烘弿緇樹簡鍎跨鍙戝憜銆佸咖閮佺殑琛ㄦ儏銆?/p>

銆€銆€[絳旀]C

銆€銆€[闅懼害緋繪暟] 鈽嗏槅鈽?/p>

銆€銆€[鍒嗘瀽] 緇嗚妭棰樸€傞鐩槸鏈夊叧Schejerfbeck鏃╂湡浣滃搧鈥滄鍦ㄥ悍澶嶇殑浜衡€濓紝鏂囦腑鎻愬埌浠庣幇浠ｄ漢鐨勮搴︾湅錛岃繖騫呬綔鍝佹瘮杈冩劅浼わ紝鍙槸瀛╁瓙鏈夌偣鍙戝憜銆佸咖閮佺殑琛ㄦ儏紼嶅井緙撳拰浜嗚繖縐嶆儏緇紝榪欏箙浣滃搧鍙兘鏄彈鍏跺効绔ユ椂鏈熺粡鍘嗙殑褰卞搷鎵嶅垱浣滅殑錛屽洜涓哄ス灝忔椂鍊欎粠妤兼涓婃憯浜嗕笅鏉ャ€傚洜姝わ紝鍥涗釜閫夐」涓紝A 騫朵笉鏄ス鐨勮嚜鐢誨儚;B 榪欏箙鐢誨茍涓嶆槸瑕佽〃鐜板ス鎰熶激鐨勫効绔ユ椂浠ｏ紝鍙槸鍎跨鏃舵湡緇忓巻榪囦竴嬈℃剰澶栨憯浼ゆ槸鍒涗綔榪欏箙鐢葷殑璇卞洜鑰屽凡;C璇存槑浜嗗垱浣滆鍥狅紝鏄紜殑;D涓庢枃绔犲唴瀹逛笉絎︺€?/p>

銆€銆€3.Schejerfbeck chose to live a secluded life mainly because ____3.Schejerfbeck閫夋嫨浜嗕竴縐嶉殣灞呯敓媧諱富瑕佸洜涓篲____

銆€銆€[A] she was exhausted by her teaching job.[A] 濂瑰帉鍊︿簡鏁欎功鐨勭敓媧匯€?/p>

銆€銆€[B] her personality prefers this kind of style.[B] 濂逛釜鎬т嬌寰楀ス閫夋嫨浜嗚繖鏍風殑涓€縐嶇敓媧繪柟寮忋€?/p>

銆€銆€[C] she could not appreciate the work of the other local painters.[C] 濂逛笉鍠滄褰撳湴鍏朵粬鐢誨鐨勪綔鍝併€?/p>

銆€銆€[D] her mother鈥檚 bad health condition required her to adopt such a life style.[D] 濂規(guī)瘝浜茶韓浣撲笉濂斤紝鍥犳濂瑰繀欏諱互榪欑鏂瑰紡鐢熸椿銆?/p>

銆€銆€[絳旀] B

銆€銆€[闅懼害緋繪暟] 鈽嗏槅鈽嗏槅

銆€銆€[鍒嗘瀽] 緇嗚妭棰樸€係chejerfbeck閫夋嫨浜嗚繃闅愬眳鐢熸椿錛岃繖鍦ㄦ枃绔犵浜屾涓湁鍏蜂綋鎻忚堪銆傞鍏堝ス鍘屽€︿簡鏁欐巿緇樼敾鐨勫伐浣滐紝涔熶笉鍠滄褰撳湴鍏朵粬鐢誨鐨勪綔鍝侊紝鍐嶅姞涓婂ス璐熸媴璧風収欏炬瘝浜茬殑璐ｄ換錛屽ス灝辨渶緇堥€夋嫨浜嗛殣灞咃紝濂硅嚜宸辨彁鍒拌繖涓椂璇達細鈥滃鏋滄垜鍏佽鑷繁閫夋嫨浜嗕竴縐嶉殣灞呭湴鐢熸椿錛岄偅鏄洜涓轟簨鎯呭彧鑳藉姝ゃ€傗€濆垎鏋愬ス闅愬眳鐨勫師鍥狅紝鏈€涓昏鐨勮繕鏄墠涓や釜錛屼竴涓槸鍘屽€︿簡緇樼敾宸ヤ綔錛屼竴涓槸涓嶅枩嬈㈠綋鍦板叾浠栫敾瀹朵綔鍝侊紝榪欓兘涓庡ス鐨勪釜鎬ф湁鍏熾€傚洜姝わ紝榪芥牴絀跺簳鍏跺師鍥犳槸濂規(guī)湰韜€ф牸鎵€鑷淬€?/p>

銆€銆€4.Schjerfbeck remained little known outside the Nordic world probably because_____4.Schejerfbeck 鍦ㄦ棩鑰蟲浖涔嬪鐨勪笘鐣屽皯琚漢鐭ラ亾鏄洜涓篲____

銆€銆€[A] she did not make efforts to publicize her works.[A] 濂規(guī)病鏈夎姳鍔涙皵鍘誨浼犺嚜宸辯殑浣滃搧銆?/p>

銆€銆€[B] she knows that her works would gain worldwide recognition one day. [B] 濂圭煡閬撹嚜宸辯殑浣滃搧鎬繪湁涓€澶╀細寰楀埌涓栫晫鐨勬壙璁ゃ€?/p>

銆€銆€[C] she only cared about her painting instead of personal fame. [C] 濂瑰彧鍏沖績濂圭殑緇樼敾錛屽鍚嶅埄騫朵笉鎰熷叴瓚ｃ€?/p>

銆€銆€[D] the last thing she was interested in was to have people disturb her. [D] 濂規(guī)渶涓嶆劅鍏磋叮鐨勪簨鎯呭氨鏄鍒漢鎵撴壈濂廣€?/p>

銆€銆€[絳旀]C

銆€銆€[闅懼害緋繪暟] 鈽嗏槅鈽嗏槅

銆€銆€[鍒嗘瀽] 緇嗚妭棰樸€傛枃绔犳渶鍚庝竴孌墊彁鍒幫紝铏界劧鏈変綔鍝佸洖欏懼睍銆佸貳鍥炲睍鍑恒€佷紶璁幫紝浣嗘槸鍦ㄦ柉鍫殑綰崇淮浜氬崐宀涗箣澶栧緢灝戞湁浜虹煡閬撳ス銆傝繖涔熻鍜屽ス瀵瑰０鏈涗笉浜堢悊浼氭湁鍏熾€傗€滄垜涓嶆槸浠€涔堝悕浜猴紝緇濆涓嶆槸錛屸€濆ス榪欐牱鍐欓亾錛屸€滄垜闇€瑕佺殑鍙槸緇樼敾銆傗€濇枃绔犲己璋冨ス鍙叧蹇冪粯鐢伙紝涓嶅叧蹇冭嚜宸辯殑鍚嶆湜錛岃繖鏄ス涓嶆槸寰堝嚭鍚嶇殑涓昏鍘熷洜銆傚洜姝わ紝C涓烘紜瓟妗堛€侫鍜孌閮芥槸濂圭殑涓€浜涜涓猴紝榪欎簺琛屼負褰掓牴緇撳簳鐨勫師鍥犺繕鏄湪浜嶤閫夐」鎻愬強鐨勫唴瀹廣€傝€孊閫夐」鏄懼緱澶稿彛寰堝ぇ錛屾樉鐒朵笉絎﹀悎濂圭殑浣庤皟椋庢牸銆?/p>

銆€銆€5. We can infer from the passage that the most outstanding characteristics of Schjerfbeck鈥檚 paintings is_____5.浠庢枃绔犲彲浠ユ帹鏂嚭Schejerfbeck浣滃搧鏈€鏄捐憲鐨勭壒鐐規(guī)槸_____

銆€銆€[A] her vivid characterization of common people.[A] 濂瑰浜庢櫘閫氫漢鐨勭敓鍔ㄥ埢鐢匯€?/p>

銆€銆€[B] her capture of the characters鈥?soul.[B] 濂規(guī)姄浣忎簡浜虹墿鐨勭伒欖傘€?/p>

銆€銆€[C] the melancholy expression of the characters.[C] 浜虹墿蹇ч儊鐨勮〃鎯呫€?/p>

銆€銆€[D] her unconscious sense of some mysterious elements.[D] 濂規(guī)湁鎰忚瘑鍦頒嬌鐢ㄤ簡涓€浜涚縐樺洜绱犮€?/p>

銆€銆€[絳旀] B

銆€銆€[闅懼害緋繪暟] 鈽嗏槅鈽?/p>

銆€銆€[鍒嗘瀽] 鎺ㄧ悊棰樸€傚叧浜嶴chejerfbeck浣滃搧鐨勭壒鐐癸紝鏂囩珷騫舵病鏈夌洿鎺ユ彁鍙婏紝浣嗘槸鍙互浠庡瓧閲岃闂村垽鏂嚭鏉ャ€係chejerfbeck鐨勪綔鍝佷富瑕佹槸浜虹墿錛屽湪鏈€鍚庝竴孌典腑鎻愬埌濂逛負浜嗘妸鎻′漢鐗╃伒欖傛繁澶勶紝榪愮敤浜嗗悇縐嶆墜孌碉紝鍙錛屽ス浣滃搧鐨勪富瑕佺壒鐐瑰湪浜庡ス瀵逛漢鐗╃伒欖傜殑鎶婃彙錛岀瓟妗圔姝ｇ‘銆侫鍜孋閮芥槸濂圭敾浣滅殑涓€浜涜〃闈㈢壒鐐癸紝鑰屽叾鏈€鏍規(guī)湰鐗圭偣榪樻槸鍦ㄤ簬鎶撲綇浜嗕漢鐗╃殑鐏甸瓊銆侱閫夐」鐨勮〃榪拌櫧鐒朵篃鏄壒鐐逛箣涓€錛屼絾鏄篃榪樻槸涓築閫夐」鏈嶅姟鐨勩€?/p>

銆€銆€鍙傝€冭瘧鏂?

銆€銆€Helene Schjerfbeck閭ｄ簺璁╀漢涓嶆槗蹇樻€€鐨勭敾鍦ㄨ繖嬈″貳灞曟渶鍚庣殑灞曞嚭灝嗕細緇欎漢甯︽潵璁稿鎯婂枩錛岃€屽叾瀹炶繖嬈″貳灞曞凡緇忓惛寮曚簡姹夊牎鍜屾搗鐗欐垚鍗冧笂涓囩殑娓稿銆傛棩鑰蟲浖涓栫晫涔嬪寰堝皯浼氭湁浜鴻鍑鴻繖浣嶄簬1946騫村幓涓栫殑鑺叞鑹烘湳瀹剁殑浣滃搧鏉ワ紝浣嗘洿澶氱殑浜哄簲璇ヨ鍑哄ス鐨勪綔鍝併€傚湪榪?20騫呬綔鍝佷腑鏈?0騫呮槸濂圭殑鑷敾鍍忥紝榪欐槸濂規(guī)墍鏈夊垱浣滅殑鑷敾鍍忕殑涓€鍗娿€傜涓€鍓垱浣滀簬1880騫達紝鏄復鏈涘惛鏀朵竴鍒囩殑涓€涓ぇ鐪肩潧灝戝コ錛岃€屾渶鍚庝竴騫呮槸鑹烘湳瀹跺嵆灝嗘垚涓洪欖傜殑涓€騫曪紝鑰屽ス姝ｆ槸鍦ㄨ繖騫呬綔鍝佸垱浣滃畬姣曞悗鐨勯偅騫村幓涓栫殑銆傝繖涓郴鍒楁槸鏈€鐢熷姩銆佹渶瀹岀編鐨勮嚜鐢誨儚涔嬩竴銆?/p>

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