2014鑰冪爺鑻辮涓€鐪熼璇曢鍙婄瓟妗堬紙緲昏瘧錛塤璺ㄨ€冪綉

銆€銆€[絳旀]2014騫磋€冪爺鑻辮絳旀

銆€銆€[浼板垎]2014騫磋€冪爺鑻辮鍦ㄧ嚎浼板垎

銆€銆€[瑙ｆ瀽]2014騫磋€冪爺鑻辮鐪熼絳旀鍚嶅笀瑙ｆ瀽

銆€銆€[涓嬭澆]2014騫磋€冪爺鑻辮鐪熼鍙婄瓟妗堜笅杞?/span>

銆€銆€Directions:

銆€銆€Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written on the ANSWER SHEET(10 points)

銆€銆€Music means different things to different people and sometimes even different things to the same person at different moments of his life. It might be poetic, philosophical, sensual, or mathematical, but in any case it must, in my view, have something to do with the soul of the human being. Hence it is metaphysical; but the means of expression is purely and exclusively physical: sound. I believe it is precisely this permanent coexistence of metaphysical message through physical means that is the strength of music.46) It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.

銆€銆€Beethoven鈥檚 importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure. Sometimes I feel in his late works a will to break all signs of continuity. The music is abrupt and seemingly disconnected, as in the last piano sonata. In musical expression, he did not feel restrained by the weight of convention. 47) By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.

銆€銆€This courageous attitude in fact becomes a requirement for the performers of Beethoven鈥檚 music. His compositions demand the performer to show courage, for example in the use of dynamics. 48) Beethoven鈥檚 habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.

銆€銆€Beethoven was a deeply political man in the broadest sense of the word. He was not interested in daily politics, but concerned with questions of moral behavior and the larger questions of right and wrong affecting the entire society.49) Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.

銆€銆€Beethoven鈥檚 music tends to move from chaos to order as if order were an imperative of human existence. For him, order does not result from forgetting or ignoring the disorders that plague our existence; order is a necessary development, an improvement that may lead to the Greek ideal of spiritual elevation. It is not by chance that the Funeral March is not the last movement of the Eroica Symphony, but the second, so that suffering does not have the last word. 50) One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.

銆€銆€46. It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.

銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ富鍙ヤ富騫蹭負(fù)it is the reason錛寃hy寮曞瀹氳浠庡彞錛屼慨楗皌he reason銆傚畾璇粠鍙ョ殑涓誨共鏄痑ll we can do is articulate our reactions and not grasp music itself錛屽叾琛ㄨ鏄笉瀹氬紡鐭錛岀敱浜庝富璇腑鍚湁do錛屼笉瀹氬紡絎﹀彿to鐪佺暐錛歛rticulate our reactions and not grasp music itself銆俹ur reactions涔嬪悗to it涓哄叾瀹氳錛宨t鎸囦唬music銆傚畾璇粠鍙ヤ腑榪樺寘鍚玾hen寮曞鐨勬椂闂寸姸璇粠鍙ャ€?/p>

銆€銆€銆愮炕璇戣鐐廣€戔憼鏈彞涓誨共鐨勪富鍙ユ槸涓葷郴琛ㄧ粨鏋勶紝reason鍚巜hy寮曞鐨勫畾璇粠鍙ヨ緝闀匡紝緲昏瘧鏃跺彲浠ヤ笌涓誨共閮ㄥ垎緇撳悎錛岃皟鏁磋〃杈句負(fù)錛氳繖涔熷氨鏄負(fù)浠€涔堚€?銆?/p>

銆€銆€鈶″畾璇粠鍙ヤ腑錛寃hen寮曞鏃墮棿鐘惰浠庡彞錛屽叾涓瓀ith words鍋氱姸璇紝緲昏瘧鏃墮渶璋冩暣璇簭鍒板叾淇グ鐨則o describe涔嬪墠錛屽彲浠ヨ〃杈句負(fù)鈥滃綋鎴戜滑灝濊瘯鐢ㄨ璦€鏉ユ弿榪伴煶涔愭椂鈥濄€傚畾璇粠鍙ョ殑涓誨共欏鴻瘧鍗沖彲錛屽叾涓璻eaction鏍規(guī)嵁璇錛屽彲浠ョ炕璇戜負(fù)鈥滄劅鍙椻€濓紝鍏跺畾璇璽o it鍦ㄨ〃杈炬椂鍓嶇疆錛宨t鎸囦唬榪樺師涓衡€滈煶涔愨€濓紝鍒欏彲浠ョ炕璇戜負(fù)鈥滄墍鏈夋垜浠兘鍋氱殑錛屽氨鏄槑紜〃杈炬垜浠浜庨煶涔愮殑鎰熷彈鈥濓紝鎴栬€呰皟鏁磋〃杈句負(fù)鈥滄垜浠彧鑳芥槑紜〃杈炬垜浠浜庨煶涔愮殑鎰熷彈鈥濄€俛nd涔嬪悗錛実rasp渚濇嵁璇錛岄渶瑕佺炕璇戜負(fù)鈥滅悊瑙ｂ€濄€?/p>

銆€銆€銆愯瘧鏂囨€葷粨銆戣繖涔熸槸涓轟粈涔堝綋鎴戜滑璇曞浘鐢ㄨ璦€鏉ユ弿榪伴煶涔愭椂錛屾垜浠彧鑳芥槑紜〃杈炬垜浠浜庨煶涔愮殑鎰熷彈錛岃€屼笉鑳藉畬鍏ㄧ悊瑙ｉ煶涔愭湰韜€?/p>

銆€銆€47. By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.

銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ負(fù)騫跺垪鍙ャ€傜涓€涓垎鍙e was a freethinking person, and a courageous one錛屽彞棣朾y all accounts涓哄浐瀹氭惌閰嶏紝鎰忔€濇槸鈥滄牴鎹悇鏂歸潰璇粹€濄€傜浜屼釜鍒嗗彞鐨勪富騫蹭負(fù)I find courage an essential quality錛屽叾涓璇負(fù)courage錛岃€宎n essential quality鏄璇ˉ瓚寵銆俼uality鍚庝粙璇嶇煭璇璮or the understanding of his work涓哄叾瀹氳錛屽叾涓繕鍖呭惈涓€涓彃鍏ョ粨鏋刲et alone the performance銆?/p>

銆€銆€銆愮炕璇戣鐐廣€戔憼 絎竴涓垎鍙ョ粨鏋勬瘮杈冪畝鍗曪紝鍙ラ鍥哄畾鎼厤by all accounts錛屽彲浠ヨ皟鏁磋〃杈撅紝緲昏瘧涓衡€滄嵁澶у鎵€璇粹€濄€備富騫查『璇戝嵆鍙紝鍏朵腑h(huán)e鎸囦唬鈥滆礉澶氳姮鈥濓紝one鎸囦唬person銆傝繖涓€閮ㄥ垎鍙互緲昏瘧涓衡€滆礉澶氳姮鏄釜鎬濇兂鑷敱銆佸厖婊″媷姘旂殑浜衡€濄€?/p>

銆€銆€鈶＄浜屼釜鍒嗗彞錛屼富騫蹭負(fù)鈥滄垜鍙戠幇鍕囨皵鏄竴涓叧閿搧璐ㄢ€濓紝quality鍚庝負(fù)鍏跺畾璇璮or the understanding of his work錛屽叾涓璽he understanding of his work鎰忔€濅負(fù)鈥滃浜庡叾浣滃搧鐨勭悊瑙ｂ€濓紝鍋氳瘝鎬ц漿鍖栧悗錛屽彲浠ヨ〃杈句負(fù)鈥滅悊瑙ｅ叾浣滃搧鈥濓紝榪欎釜浠嬭瘝鐭闇€瑕佽皟鏁磋搴忓墠緗簬quality錛屽彲浠ョ炕璇戜負(fù)鈥滅悊瑙ｄ粬浣滃搧鐨勫叧閿搧璐ㄢ€濓紝鍒欑浜屼釜鍒嗗彞鍙互琛ㄨ揪涓衡€滄垜鍙戠幇鍕囨皵錛屾槸鐞嗚В浠栦綔鍝佺殑鍏抽敭鍝佽川鈥濄€傝繕鍙互璋冩暣琛ㄨ揪涓衡€滄垜鍙戠幇鍕囨皵榪欎竴鍝佽川錛屾槸鐞嗚В浠栦綔鍝佺殑鍏抽敭鈥濄€?/p>

銆€銆€鈶㈠湪瀹氳for the understanding of his work涓殑鎻掑叆鎴愬垎錛屽湪閫昏緫涓妉et alone騫跺垪the understanding鍜宼he performance錛屼簩鑰呭叡鐢ㄥ畾璇璷f his works錛岄『璇戝彞鏈嵆鍙細(xì)鏇翠笉蹇呰鏄紨鍑哄叾浣滃搧鐨勫叧閿搧璐ㄣ€?/p>

銆€銆€銆愯瘧鏂囨€葷粨銆戜漢浠櫘閬嶈涓猴紝浠?璐濆鑺?鏄釜鎬濇兂鑷敱銆佸厖婊″媷姘旂殑浜猴紝鎴戝彂鐜板媷姘旇繖涓€鍝佽川錛屾槸鐞嗚В浠栦綔鍝佺殑鍏抽敭錛屾洿涓嶅繀璇存槸婕斿嚭鍏朵綔鍝佺殑鍏抽敭銆?/p>

銆€銆€48. Beethoven鈥檚 habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.

銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ富騫蹭負(fù)Beethoven鈥檚 habit was used by composers before him銆傛湰鍙ョ殑璋撹涓鴻鍔ㄨ鎬侊紝涓昏h(huán)abit鍚庝粙璇嶇煭璇璷f increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage涓哄叾瀹氳錛屾槸鐢變粙璇峯f涓巃nd騫跺垪鐨勪袱涓姩鍚嶈瘝鐭increasing the volume with an extreme intensity 鍜宼hen abruptly following it with a sudden soft passage鏋勬垚銆?/p>

銆€銆€銆愮炕璇戣鐐廣€戔憼鏈彞涓誨共杈冧負(fù)綆€鍗曪紝浣嗘槸涓昏h(huán)abit鍚庢湁寰堥暱鐨勫悗緗畾璇細(xì)Habit of increasing the volume鈥︼紝鍏朵腑鈥渉abit鈥濆彲浠ヨ瘝鎬ц漿鎹負(fù)鍔ㄨ瘝鈥滀範(fàn)鎯€濓紝鑰屼腑鏂囧父甯稿厛琛ㄨ揪嬈¤淇℃伅錛屽垯榪欎竴閮ㄥ垎鍙互緲昏瘧涓€鍙ヨ瘽鈥滆礉澶氳姮涔?fàn)鎯鍔犫€︹€濓紝緗簬鍙ラ銆傜涓€涓姩鍚嶈瘝鐭涓紝with an extreme intensity涓虹姸璇紝琛ㄨ揪鏃墮渶璋冩暣璇簭鍒板叾淇グ鐨刬ncreasing the volume鍓嶏紝鏍規(guī)嵁璇錛寁olume鎰忔€濅負(fù)鈥滈煶閲忊€濓紝鍒檌ncreasing鍙互緲昏瘧涓衡€滃楂樷€濄€傝繖涓€閮ㄥ垎鍙互緲昏瘧涓衡€滄渶澶ч檺搴︽潵閫愭笎澧為珮闊抽噺鈥濄€傜浜屼釜鍔ㄥ悕璇嶇煭璇璽hen abruptly following it with a sudden soft passage錛岀姸璇瓀ith a sudden soft passage闇€璋冩暣鍒癴ollowing it鍓嶈〃杈撅紝鍏朵腑passage鏍規(guī)嵁璇錛屾剰鎬濅負(fù)鈥滀箰孌碘€濄€傚垯榪欎竴閮ㄥ垎鍙互琛ㄨ揪涓衡€滅劧鍚庣獊鐒惰窡涓婅交鏌旂殑涔愭鈥濄€傛暣鍚堟湰鍙ヤ富璇笌鍏跺畾璇紝鍙互緲昏瘧涓衡€滆礉澶氳姮涔?fàn)鎯渶澶ч檺搴︽潵閫愭笎澧為珮闊抽噺錛岀劧鍚庣獊鐒惰窡涓婅交鏌旂殑涔愭鈥濄€?/p>

銆€銆€鈶℃湰鍙ヤ富騫叉剰鎬濅負(fù)鈥滃湪浠栦箣鍓嶏紝浣滄洸瀹跺緢灝戜嬌鐢ㄨ礉澶氳姮鐨勪範(fàn)鎯€濄€備腑鏂囪涔夐噸蹇冨湪鍚庯紝灝嗘湰閮ㄥ垎緲昏瘧鍦ㄥ彞鏈嵆鍙€傜敱浜庡墠鍙ヨ瘧鏂囧凡緇忔彁鍒拌繖縐嶄範(fàn)鎯紝鍒欒繖閮ㄥ垎鍙互琛ㄨ揪涓衡€滃湪浠栦箣鍓嶏紝浣滄洸瀹跺緢灝戜嬌鐢ㄨ繖縐嶄範(fàn)鎯€濓紝緇撳悎璇榪樺彲浠ヨ〃杈句負(fù)鈥滃湪浠栦箣鍓嶏紝浣滄洸瀹跺緢灝戜嬌鐢ㄨ繖縐嶆柟寮忊€濓紝鎴栬€呪€滃湪浠栦箣鍓嶏紝鍙湁鏋佷釜鍒綔鏇插浼?xì)鋴社敤杩櫩U嶆柟寮忊€濄€?/p>

銆€銆€銆愯瘧鏂囨€葷粨銆戣礉澶氳姮涔?fàn)鎯渶澶ч檺搴︽潵閫愭笎澧為珮闊抽噺錛岀劧鍚庣獊鐒惰窡涓婅交鏌旂殑涔愭錛屽湪浠栦箣鍓嶏紝浣滄洸瀹跺緢灝戜嬌鐢ㄨ繖縐嶆柟寮忋€?/p>

銆€銆€49) Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.

銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ負(fù)瀹屽叏鍊掕錛屼富鍙ョ殑涓誨共鏄痟is view of freedom was Especially significant銆?/p>

銆€銆€his view of freedom鍚庝負(fù)which寮曞鐨勯潪闄愬畾鎬у畾璇粠鍙ワ紝淇グfreedom錛屽叧緋諱唬璇峸hich鍦ㄥ畾璇粠鍙ヤ腑浣滀富璇€俹f the individual淇グthe rights and responsibilities錛屽啋鍙峰悗榪涜瑙ｉ噴璇存槑銆?/p>

銆€銆€銆愮炕璇戣鐐廣€?/p>

銆€銆€鈶?鏈彞涓誨共涓哄畬鍏ㄥ€掕錛屼絾鏄湪緲昏瘧鏃訛紝欏鴻瘧鍗沖彲錛屽叾涓環(huán)is鎸囦唬鈥滆礉澶氳姮鐨勨€濓紝涓誨共鍙互琛ㄨ揪涓猴細(xì)灝や負(fù)閲嶈鐨勬槸錛屼粬(璐濆鑺?瀵逛簬鑷敱鐨勭湅娉曗€?銆?/p>

銆€銆€鈶?which寮曞鑻辮浠庡彞錛屼慨楗癴reedom錛岃〃杈炬椂緲昏瘧鎴愬彟涓€鍙ヨ瘽鈥滃浜庝粬鑰岃█錛岃繖縐嶈嚜鐢辨槸涓庝釜浜虹殑鏉冨埄鍜岃矗浠昏仈緋昏搗鏉ョ殑鈥濓紝鍏朵腑for him榪樺彲浠ヨ皟鏁磋〃杈句負(fù)鈥滀粬璁や負(fù)鈥濄€?/p>

銆€銆€鈶㈠啋鍙峰悗榪涜瑙ｉ噴錛屽彲浠ョ炕璇戜負(fù)錛氫粬鍊″鎬濇兂鑷敱鍜屼釜浜鴻█璁鴻嚜鐢便€?/p>

銆€銆€銆愯瘧鏂囨€葷粨銆戝挨涓洪噸瑕佺殑鏄礉澶氳姮瀵逛簬鑷敱鐨勭湅娉曪紝浠栬涓猴紝榪欑鑷敱鏄笌涓漢鐨勬潈鍒╁拰璐ｄ換鑱旂郴璧鋒潵鐨勶細(xì)浠栧€″鎬濇兂鑷敱鍜屼釜浜鴻█璁鴻嚜鐢便€?/p>

銆€銆€50. One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.

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