2014鑰冪爺鑻辮涓€鐪熼璇曢鍙婄瓟妗堬紙緲昏瘧錛塤璺ㄨ€冪綉
銆€銆€[絳旀]2014騫磋€冪爺鑻辮絳旀
銆€銆€[浼板垎]2014騫磋€冪爺鑻辮鍦ㄧ嚎浼板垎
銆€銆€[瑙f瀽]2014騫磋€冪爺鑻辮鐪熼絳旀鍚嶅笀瑙f瀽
銆€銆€[涓嬭澆]2014騫磋€冪爺鑻辮鐪熼鍙婄瓟妗堜笅杞?/span>
銆€銆€Directions:
銆€銆€Read the following text carefully and then translate the underlined segments into Chinese. Your translation should be written on the ANSWER SHEET(10 points)
銆€銆€Music means different things to different people and sometimes even different things to the same person at different moments of his life. It might be poetic, philosophical, sensual, or mathematical, but in any case it must, in my view, have something to do with the soul of the human being. Hence it is metaphysical; but the means of expression is purely and exclusively physical: sound. I believe it is precisely this permanent coexistence of metaphysical message through physical means that is the strength of music.46) It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.
銆€銆€Beethoven鈥檚 importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure. Sometimes I feel in his late works a will to break all signs of continuity. The music is abrupt and seemingly disconnected, as in the last piano sonata. In musical expression, he did not feel restrained by the weight of convention. 47) By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.
銆€銆€This courageous attitude in fact becomes a requirement for the performers of Beethoven鈥檚 music. His compositions demand the performer to show courage, for example in the use of dynamics. 48) Beethoven鈥檚 habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.
銆€銆€Beethoven was a deeply political man in the broadest sense of the word. He was not interested in daily politics, but concerned with questions of moral behavior and the larger questions of right and wrong affecting the entire society.49) Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.
銆€銆€Beethoven鈥檚 music tends to move from chaos to order as if order were an imperative of human existence. For him, order does not result from forgetting or ignoring the disorders that plague our existence; order is a necessary development, an improvement that may lead to the Greek ideal of spiritual elevation. It is not by chance that the Funeral March is not the last movement of the Eroica Symphony, but the second, so that suffering does not have the last word. 50) One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.
銆€銆€46. It is also the reason why when we try to describe music with words, all we can do is articulate our reactions to it, and not grasp music itself.
銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ富鍙ヤ富騫蹭負(fù)it is the reason錛寃hy寮曞瀹氳浠庡彞錛屼慨楗皌he reason銆傚畾璇粠鍙ョ殑涓誨共鏄痑ll we can do is articulate our reactions and not grasp music itself錛屽叾琛ㄨ鏄笉瀹氬紡鐭錛岀敱浜庝富璇腑鍚湁do錛屼笉瀹氬紡絎﹀彿to鐪佺暐錛歛rticulate our reactions and not grasp music itself銆俹ur reactions涔嬪悗to it涓哄叾瀹氳錛宨t鎸囦唬music銆傚畾璇粠鍙ヤ腑榪樺寘鍚玾hen寮曞鐨勬椂闂寸姸璇粠鍙ャ€?/p>
銆€銆€銆愮炕璇戣鐐廣€戔憼鏈彞涓誨共鐨勪富鍙ユ槸涓葷郴琛ㄧ粨鏋勶紝reason鍚巜hy寮曞鐨勫畾璇粠鍙ヨ緝闀匡紝緲昏瘧鏃跺彲浠ヤ笌涓誨共閮ㄥ垎緇撳悎錛岃皟鏁磋〃杈句負(fù)錛氳繖涔熷氨鏄負(fù)浠€涔堚€?銆?/p>
銆€銆€鈶″畾璇粠鍙ヤ腑錛寃hen寮曞鏃墮棿鐘惰浠庡彞錛屽叾涓瓀ith words鍋氱姸璇紝緲昏瘧鏃墮渶璋冩暣璇簭鍒板叾淇グ鐨則o describe涔嬪墠錛屽彲浠ヨ〃杈句負(fù)鈥滃綋鎴戜滑灝濊瘯鐢ㄨ璦€鏉ユ弿榪伴煶涔愭椂鈥濄€傚畾璇粠鍙ョ殑涓誨共欏鴻瘧鍗沖彲錛屽叾涓璻eaction鏍規(guī)嵁璇錛屽彲浠ョ炕璇戜負(fù)鈥滄劅鍙椻€濓紝鍏跺畾璇璽o it鍦ㄨ〃杈炬椂鍓嶇疆錛宨t鎸囦唬榪樺師涓衡€滈煶涔愨€濓紝鍒欏彲浠ョ炕璇戜負(fù)鈥滄墍鏈夋垜浠兘鍋氱殑錛屽氨鏄槑紜〃杈炬垜浠浜庨煶涔愮殑鎰熷彈鈥濓紝鎴栬€呰皟鏁磋〃杈句負(fù)鈥滄垜浠彧鑳芥槑紜〃杈炬垜浠浜庨煶涔愮殑鎰熷彈鈥濄€俛nd涔嬪悗錛実rasp渚濇嵁璇錛岄渶瑕佺炕璇戜負(fù)鈥滅悊瑙b€濄€?/p>
銆€銆€銆愯瘧鏂囨€葷粨銆戣繖涔熸槸涓轟粈涔堝綋鎴戜滑璇曞浘鐢ㄨ璦€鏉ユ弿榪伴煶涔愭椂錛屾垜浠彧鑳芥槑紜〃杈炬垜浠浜庨煶涔愮殑鎰熷彈錛岃€屼笉鑳藉畬鍏ㄧ悊瑙i煶涔愭湰韜€?/p>
銆€銆€47. By all accounts he was a freethinking person, and a courageous one, and I find courage an essential quality for the understanding, let alone the performance, of his works.
銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ負(fù)騫跺垪鍙ャ€傜涓€涓垎鍙e was a freethinking person, and a courageous one錛屽彞棣朾y all accounts涓哄浐瀹氭惌閰嶏紝鎰忔€濇槸鈥滄牴鎹悇鏂歸潰璇粹€濄€傜浜屼釜鍒嗗彞鐨勪富騫蹭負(fù)I find courage an essential quality錛屽叾涓璇負(fù)courage錛岃€宎n essential quality鏄璇ˉ瓚寵銆俼uality鍚庝粙璇嶇煭璇璮or the understanding of his work涓哄叾瀹氳錛屽叾涓繕鍖呭惈涓€涓彃鍏ョ粨鏋刲et alone the performance銆?/p>
銆€銆€銆愮炕璇戣鐐廣€戔憼 絎竴涓垎鍙ョ粨鏋勬瘮杈冪畝鍗曪紝鍙ラ鍥哄畾鎼厤by all accounts錛屽彲浠ヨ皟鏁磋〃杈撅紝緲昏瘧涓衡€滄嵁澶у鎵€璇粹€濄€備富騫查『璇戝嵆鍙紝鍏朵腑h(huán)e鎸囦唬鈥滆礉澶氳姮鈥濓紝one鎸囦唬person銆傝繖涓€閮ㄥ垎鍙互緲昏瘧涓衡€滆礉澶氳姮鏄釜鎬濇兂鑷敱銆佸厖婊″媷姘旂殑浜衡€濄€?/p>
銆€銆€鈶$浜屼釜鍒嗗彞錛屼富騫蹭負(fù)鈥滄垜鍙戠幇鍕囨皵鏄竴涓叧閿搧璐ㄢ€濓紝quality鍚庝負(fù)鍏跺畾璇璮or the understanding of his work錛屽叾涓璽he understanding of his work鎰忔€濅負(fù)鈥滃浜庡叾浣滃搧鐨勭悊瑙b€濓紝鍋氳瘝鎬ц漿鍖栧悗錛屽彲浠ヨ〃杈句負(fù)鈥滅悊瑙e叾浣滃搧鈥濓紝榪欎釜浠嬭瘝鐭闇€瑕佽皟鏁磋搴忓墠緗簬quality錛屽彲浠ョ炕璇戜負(fù)鈥滅悊瑙d粬浣滃搧鐨勫叧閿搧璐ㄢ€濓紝鍒欑浜屼釜鍒嗗彞鍙互琛ㄨ揪涓衡€滄垜鍙戠幇鍕囨皵錛屾槸鐞嗚В浠栦綔鍝佺殑鍏抽敭鍝佽川鈥濄€傝繕鍙互璋冩暣琛ㄨ揪涓衡€滄垜鍙戠幇鍕囨皵榪欎竴鍝佽川錛屾槸鐞嗚В浠栦綔鍝佺殑鍏抽敭鈥濄€?/p>
銆€銆€鈶㈠湪瀹氳for the understanding of his work涓殑鎻掑叆鎴愬垎錛屽湪閫昏緫涓妉et alone騫跺垪the understanding鍜宼he performance錛屼簩鑰呭叡鐢ㄥ畾璇璷f his works錛岄『璇戝彞鏈嵆鍙細(xì)鏇翠笉蹇呰鏄紨鍑哄叾浣滃搧鐨勫叧閿搧璐ㄣ€?/p>
銆€銆€銆愯瘧鏂囨€葷粨銆戜漢浠櫘閬嶈涓猴紝浠?璐濆鑺?鏄釜鎬濇兂鑷敱銆佸厖婊″媷姘旂殑浜猴紝鎴戝彂鐜板媷姘旇繖涓€鍝佽川錛屾槸鐞嗚В浠栦綔鍝佺殑鍏抽敭錛屾洿涓嶅繀璇存槸婕斿嚭鍏朵綔鍝佺殑鍏抽敭銆?/p>
銆€銆€48. Beethoven鈥檚 habit of increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage was only rarely used by composers before him.
銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ富騫蹭負(fù)Beethoven鈥檚 habit was used by composers before him銆傛湰鍙ョ殑璋撹涓鴻鍔ㄨ鎬侊紝涓昏h(huán)abit鍚庝粙璇嶇煭璇璷f increasing the volume with an extreme intensity and then abruptly following it with a sudden soft passage涓哄叾瀹氳錛屾槸鐢變粙璇峯f涓巃nd騫跺垪鐨勪袱涓姩鍚嶈瘝鐭increasing the volume with an extreme intensity 鍜宼hen abruptly following it with a sudden soft passage鏋勬垚銆?/p>
銆€銆€銆愮炕璇戣鐐廣€戔憼鏈彞涓誨共杈冧負(fù)綆€鍗曪紝浣嗘槸涓昏h(huán)abit鍚庢湁寰堥暱鐨勫悗緗畾璇細(xì)Habit of increasing the volume鈥︼紝鍏朵腑鈥渉abit鈥濆彲浠ヨ瘝鎬ц漿鎹負(fù)鍔ㄨ瘝鈥滀範(fàn)鎯€濓紝鑰屼腑鏂囧父甯稿厛琛ㄨ揪嬈¤淇℃伅錛屽垯榪欎竴閮ㄥ垎鍙互緲昏瘧涓€鍙ヨ瘽鈥滆礉澶氳姮涔?fàn)鎯鍔犫€︹€濓紝緗簬鍙ラ銆傜涓€涓姩鍚嶈瘝鐭涓紝with an extreme intensity涓虹姸璇紝琛ㄨ揪鏃墮渶璋冩暣璇簭鍒板叾淇グ鐨刬ncreasing the volume鍓嶏紝鏍規(guī)嵁璇錛寁olume鎰忔€濅負(fù)鈥滈煶閲忊€濓紝鍒檌ncreasing鍙互緲昏瘧涓衡€滃楂樷€濄€傝繖涓€閮ㄥ垎鍙互緲昏瘧涓衡€滄渶澶ч檺搴︽潵閫愭笎澧為珮闊抽噺鈥濄€傜浜屼釜鍔ㄥ悕璇嶇煭璇璽hen abruptly following it with a sudden soft passage錛岀姸璇瓀ith a sudden soft passage闇€璋冩暣鍒癴ollowing it鍓嶈〃杈撅紝鍏朵腑passage鏍規(guī)嵁璇錛屾剰鎬濅負(fù)鈥滀箰孌碘€濄€傚垯榪欎竴閮ㄥ垎鍙互琛ㄨ揪涓衡€滅劧鍚庣獊鐒惰窡涓婅交鏌旂殑涔愭鈥濄€傛暣鍚堟湰鍙ヤ富璇笌鍏跺畾璇紝鍙互緲昏瘧涓衡€滆礉澶氳姮涔?fàn)鎯渶澶ч檺搴︽潵閫愭笎澧為珮闊抽噺錛岀劧鍚庣獊鐒惰窡涓婅交鏌旂殑涔愭鈥濄€?/p>
銆€銆€鈶℃湰鍙ヤ富騫叉剰鎬濅負(fù)鈥滃湪浠栦箣鍓嶏紝浣滄洸瀹跺緢灝戜嬌鐢ㄨ礉澶氳姮鐨勪範(fàn)鎯€濄€備腑鏂囪涔夐噸蹇冨湪鍚庯紝灝嗘湰閮ㄥ垎緲昏瘧鍦ㄥ彞鏈嵆鍙€傜敱浜庡墠鍙ヨ瘧鏂囧凡緇忔彁鍒拌繖縐嶄範(fàn)鎯紝鍒欒繖閮ㄥ垎鍙互琛ㄨ揪涓衡€滃湪浠栦箣鍓嶏紝浣滄洸瀹跺緢灝戜嬌鐢ㄨ繖縐嶄範(fàn)鎯€濓紝緇撳悎璇榪樺彲浠ヨ〃杈句負(fù)鈥滃湪浠栦箣鍓嶏紝浣滄洸瀹跺緢灝戜嬌鐢ㄨ繖縐嶆柟寮忊€濓紝鎴栬€呪€滃湪浠栦箣鍓嶏紝鍙湁鏋佷釜鍒綔鏇插浼?xì)鋴社敤杩櫩U嶆柟寮忊€濄€?/p>
銆€銆€銆愯瘧鏂囨€葷粨銆戣礉澶氳姮涔?fàn)鎯渶澶ч檺搴︽潵閫愭笎澧為珮闊抽噺錛岀劧鍚庣獊鐒惰窡涓婅交鏌旂殑涔愭錛屽湪浠栦箣鍓嶏紝浣滄洸瀹跺緢灝戜嬌鐢ㄨ繖縐嶆柟寮忋€?/p>
銆€銆€49) Especially significant was his view of freedom, which, for him, was associated with the rights and responsibilities of the individual: he advocated freedom of thought and of personal expression.
銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ負(fù)瀹屽叏鍊掕錛屼富鍙ョ殑涓誨共鏄痟is view of freedom was Especially significant銆?/p>
銆€銆€his view of freedom鍚庝負(fù)which寮曞鐨勯潪闄愬畾鎬у畾璇粠鍙ワ紝淇グfreedom錛屽叧緋諱唬璇峸hich鍦ㄥ畾璇粠鍙ヤ腑浣滀富璇€俹f the individual淇グthe rights and responsibilities錛屽啋鍙峰悗榪涜瑙i噴璇存槑銆?/p>
銆€銆€銆愮炕璇戣鐐廣€?/p>
銆€銆€鈶?鏈彞涓誨共涓哄畬鍏ㄥ€掕錛屼絾鏄湪緲昏瘧鏃訛紝欏鴻瘧鍗沖彲錛屽叾涓環(huán)is鎸囦唬鈥滆礉澶氳姮鐨勨€濓紝涓誨共鍙互琛ㄨ揪涓猴細(xì)灝や負(fù)閲嶈鐨勬槸錛屼粬(璐濆鑺?瀵逛簬鑷敱鐨勭湅娉曗€?銆?/p>
銆€銆€鈶?which寮曞鑻辮浠庡彞錛屼慨楗癴reedom錛岃〃杈炬椂緲昏瘧鎴愬彟涓€鍙ヨ瘽鈥滃浜庝粬鑰岃█錛岃繖縐嶈嚜鐢辨槸涓庝釜浜虹殑鏉冨埄鍜岃矗浠昏仈緋昏搗鏉ョ殑鈥濓紝鍏朵腑for him榪樺彲浠ヨ皟鏁磋〃杈句負(fù)鈥滀粬璁や負(fù)鈥濄€?/p>
銆€銆€鈶㈠啋鍙峰悗榪涜瑙i噴錛屽彲浠ョ炕璇戜負(fù)錛氫粬鍊″鎬濇兂鑷敱鍜屼釜浜鴻█璁鴻嚜鐢便€?/p>
銆€銆€銆愯瘧鏂囨€葷粨銆戝挨涓洪噸瑕佺殑鏄礉澶氳姮瀵逛簬鑷敱鐨勭湅娉曪紝浠栬涓猴紝榪欑鑷敱鏄笌涓漢鐨勬潈鍒╁拰璐d換鑱旂郴璧鋒潵鐨勶細(xì)浠栧€″鎬濇兂鑷敱鍜屼釜浜鴻█璁鴻嚜鐢便€?/p>
銆€銆€50. One could interpret much of the work of Beethoven by saying that suffering is inevitable, but the courage to fight it renders life worth living.
銆€銆€銆愬彞鍨嬪垎鏋愩€戞湰鍙ヤ富鍙ヤ富騫蹭負(fù)One could interpret much of the work of Beethoven錛屼箣鍚巄y saying that suffering is inevitable, but the courage to fight it renders life worth living涓虹姸璇紝淇グinterpret銆傚叾涓璽hat寮曞瀹捐浠庡彞suffering is inevitable, but the courage to fight it renders life worth living錛屼負(fù)saying鐨勫璇紝瀹捐浠庡彞涓璱t鎸囦唬suffering銆?/p>
銆€銆€銆愮炕璇戣鐐廣€戔憼鏈彞涓昏one錛屽彲浠ョ炕璇戜負(fù)鈥滀漢浠€濇垨鑰呪€滄垜浠€濄€備富騫插彲浠ョ炕璇戜負(fù)鈥滄垜浠彲浠ヨВ閲婅礉澶氳姮鐨勫ぇ閮ㄥ垎浣滃搧鈥濄€?/p>
銆€銆€鈶′富騫蹭箣鍚庣殑鐘惰錛屽彲浠ョ炕璇戜負(fù)鈥滈€氳繃璇寸棝鑻︽槸鏃犳硶閬垮厤鐨勶紝浣嗘槸涓庝箣鐩告姉浜夌殑鍕囨皵浣垮緱鐢熷懡鍊煎緱緇х畫銆傗€?/p>
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鐩稿叧鎺ㄨ崘
璺ㄨ€冭€冪爺璇劇▼
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2023闆嗚鐣呭 | 闈炲畾鍚戯紙鏀胯嫳鐝?鏁版斂鑻辯彮錛?/td> | 姣忔湀20鏃?/td> | 22800璧?鍗忚鐝? | 13800璧?/td> | 鍏堣闃跺湪綰胯紼?鍩虹闃跺湪綰胯紼?寮哄寲闃跺湪綰胯紼?鐪熼闃跺湪綰胯紼?鍐插埡闃跺湪綰胯紼?涓撲笟璇鵑拡瀵規(guī)€т竴瀵逛竴璇劇▼+鐝富浠誨叏紼嬬潱瀛︽湇鍔?鍏ㄧ▼瑙勫垝浣撶郴+鍏ㄧ▼嫻嬭瘯浣撶郴+鍏ㄧ▼綺劇粏鍖栫瓟鐤?鎷╂牎鎷╀笓涓氳兘鍔涘畾浣嶄綋緋?鍏ㄥ勾鍏抽敭鐜妭鎸囧浣撶郴+鍒濊瘯鍔犲己璇?鍒濊瘯涓撳睘鏈嶅姟+澶嶈瘯鍏ㄧ鏍囧噯鐝湇鍔?/td> |