【每日一練】考研英語(yǔ)閱讀練習(xí)3(5.4)_跨考網(wǎng)

最后更新時(shí)間:2012-05-04 17:17:32
輔導(dǎo)課程:暑期集訓(xùn) 在線咨詢
復(fù)習(xí)緊張,焦頭爛額?逆風(fēng)輕襲,來(lái)跨考秋季集訓(xùn)營(yíng),幫你尋方法,定方案! 了解一下>>

  Imagine how much sleep future musicologists will lose over Philip Glass. Throughout his career he has changed his scores to suit the circumstances, trimming them for recordings, for example, because he believes that nonvisual performances benefit from (relative) concision. The notion of an immutable, sacrosanct urtext -- the very thing musicologists sift historical evidence hoping to establish -- is entirely alien to him.

  Still, you would think that if Mr. Glass held anything sacred, it would be the structure and format of ’’Einstein on the Beach.’’ At that opera’s premiere in 1976, and in its 1984 and 1992 revivals, ’’Einstein’’ played for five hours with no intermission. Free of narrative but rich in associations and imagery -- Einstein as a madly ecstatic violinist but also as the father of nuclear power -- the work unfolded inexorably, its repeated musical phrases creating rhythmic wheels within wheels. The libretto, mostly numbers, solfege syllables and quirky, stream-of-consciousness spoken texts, works its own hypnotic spell. Listeners were free to come and go as they pleased, but some of the work’s power came from its relentlessness, to say nothing of the quirkiness of Robert Wilson’s staging.

  The version that Mr. Glass and his ensemble presented at Carnegie Hall on Thursday evening swept away the elements that made the work a happening and transformed it into a concert piece: three hours long, with an intermission and with formal seating rules in force. The breadth of the work was presented, if not its full sweep. The two-hour trim was accomplished by deleting sections from all but a few scenes. Some trims were noticeable: Lucinda Childs’s tale of the multicolored bathing cap was intact, as were the quotations from Carole King’s ’’I Feel the Earth Move,’’ but Mr. Bojangles was evicted from this version.

  Musically, the score survived the trims and might even have benefited from them: The brisker movement from one section to the next highlighted the degree of inventiveness that drives this piece and pointed up passages of real beauty. In ’’Knee Play 3,’’ for example, the unaccompanied chorus sings streams of numbers, yet the music has the grandeur of a sacred setting much of the time and, at others, the energy of a symphonic presto. And Tim Fain, the violinist, gave the solo passages in the second, fourth and fifth ’’Knee Plays’’ and in the climactic, swirling ’’Spaceship Interior’’ scene an electrifying, virtuosic workout.

  Some of the work’s magic is in the way its elements pull in opposite directions. The repetition of short phrases, on one hand, can be soporific; yet the wheezing keyboard and woodwind textures and the bursts of choral counting, with sibilants creating their own rhythmic patterns, are invigorating. And because the performance is heavily amplified, timbres seem to melt together: Is that repeating fragment a voice, a violin or the top notes of the organ figure? The ensemble, which included musicians who have been with Mr. Glass from the early days as well as newcomers, gave the score a tight, high-energy readi1.

  1. Future musicologists will lose much sleep over Philip Glass because_____.

  [A] Philip Glass’ works are consistently changing based on the different context and various external conditions.

  [B] Philip Glass’s music is characterized by its unintelligibility.

  [C] Philip Glass is ignorant of establishing an immutable, sacrosanct urtext.

  [D] Philip Glass’s works are totally alien to modern and even future audience.

  2. To make the opera become a concert, Mr. Glass trimmed _____.

  [A] the tale of the multicolored bathing cap

  [B] the quotations form Carole King

  [C] Mr. Bojangles’ scene

  [D] Lucinda Childe’s adventure

  3. Which one of the following is NOT true of the new version of "Einstein on the Beach" ?

  [A] The former structure and format was kept constantly for the majority part.

  [B] The version was changed into a concert with a more formal procedure and a more fixed setting.

  [C] The version was a success partly because of the advantages brought by the trims.

  [D] The version was tighter than its ancestor.

  2022考研初復(fù)試已經(jīng)接近尾聲,考研學(xué)子全面進(jìn)入2023屆備考,跨考為23考研的考生準(zhǔn)備了10大課包全程準(zhǔn)備、全年復(fù)習(xí)備考計(jì)劃、目標(biāo)院校專業(yè)輔導(dǎo)、全真復(fù)試模擬練習(xí)和全程針對(duì)性指導(dǎo);2023考研的小伙伴針也已經(jīng)開(kāi)始擇校和復(fù)習(xí)了,跨考考研暢學(xué)5.0版本全新升級(jí),無(wú)論你在校在家都可以更自如的完成你的考研復(fù)習(xí),暑假集訓(xùn)營(yíng)帶來(lái)了院校專業(yè)初步選擇,明確方向;考研備考全年規(guī)劃,核心知識(shí)點(diǎn)入門;個(gè)性化制定備考方案,助你贏在起跑線,早出發(fā)一點(diǎn)離成功就更近一點(diǎn)!

點(diǎn)擊右側(cè)咨詢或直接前往了解更多

考研院校專業(yè)選擇和考研復(fù)習(xí)計(jì)劃
2023備考學(xué)習(xí) 2023線上線下隨時(shí)學(xué)習(xí) 34所自劃線院??佳袕?fù)試分?jǐn)?shù)線匯總
2022考研復(fù)試最全信息整理 全國(guó)各招生院??佳袕?fù)試分?jǐn)?shù)線匯總
2023全日制封閉訓(xùn)練 全國(guó)各招生院校考研調(diào)劑信息匯總
2023考研先知 考研考試科目有哪些? 如何正確看待考研分?jǐn)?shù)線?
不同院校相同專業(yè)如何選擇更適合自己的 從就業(yè)說(shuō)考研如何擇專業(yè)?
手把手教你如何選專業(yè)? 高校研究生教育各學(xué)科門類排行榜

跨考考研課程

班型 定向班型 開(kāi)班時(shí)間 高定班 標(biāo)準(zhǔn)班 課程介紹 咨詢
秋季集訓(xùn) 沖刺班 9.10-12.20 168000 24800起 小班面授+專業(yè)課1對(duì)1+專業(yè)課定向輔導(dǎo)+協(xié)議加強(qiáng)課程(高定班)+專屬規(guī)劃答疑(高定班)+精細(xì)化答疑+復(fù)試資源(高定班)+復(fù)試課包(高定班)+復(fù)試指導(dǎo)(高定班)+復(fù)試班主任1v1服務(wù)(高定班)+復(fù)試面授密訓(xùn)(高定班)+復(fù)試1v1(高定班)
2023集訓(xùn)暢學(xué) 非定向(政英班/數(shù)政英班) 每月20日 22800起(協(xié)議班) 13800起 先行階在線課程+基礎(chǔ)階在線課程+強(qiáng)化階在線課程+真題階在線課程+沖刺階在線課程+專業(yè)課針對(duì)性一對(duì)一課程+班主任全程督學(xué)服務(wù)+全程規(guī)劃體系+全程測(cè)試體系+全程精細(xì)化答疑+擇校擇專業(yè)能力定位體系+全年關(guān)鍵環(huán)節(jié)指導(dǎo)體系+初試加強(qiáng)課+初試專屬服務(wù)+復(fù)試全科標(biāo)準(zhǔn)班服務(wù)

①凡本網(wǎng)注明“稿件來(lái)源:跨考網(wǎng)”的所有文字、圖片和音視頻稿件,版權(quán)均屬北京尚學(xué)碩博教育咨詢有限公司(含本網(wǎng)和跨考網(wǎng))所有,任何媒體、網(wǎng)站或個(gè)人未經(jīng)本網(wǎng)協(xié)議授權(quán)不得轉(zhuǎn)載、鏈接、轉(zhuǎn)帖或以其他任何方式復(fù)制、發(fā)表。已經(jīng)本網(wǎng)協(xié)議授權(quán)的媒體、網(wǎng)站,在下載使用時(shí)必須注明“稿件來(lái)源,跨考網(wǎng)”,違者本網(wǎng)將依法追究法律責(zé)任。

②本網(wǎng)未注明“稿件來(lái)源:跨考網(wǎng)”的文/圖等稿件均為轉(zhuǎn)載稿,本網(wǎng)轉(zhuǎn)載僅基于傳遞更多信息之目的,并不意味著再通轉(zhuǎn)載稿的觀點(diǎn)或證實(shí)其內(nèi)容的真實(shí)性。如其他媒體、網(wǎng)站或個(gè)人從本網(wǎng)下載使用,必須保留本網(wǎng)注明的“稿件來(lái)源”,并自負(fù)版權(quán)等法律責(zé)任。如擅自篡改為“稿件來(lái)源:跨考網(wǎng)”,本網(wǎng)將依法追究法律責(zé)任。

③如本網(wǎng)轉(zhuǎn)載稿涉及版權(quán)等問(wèn)題,請(qǐng)作者見(jiàn)稿后在兩周內(nèi)速來(lái)電與跨考網(wǎng)聯(lián)系,電話:400-883-2220